I recently finished a commission to carve a marble memorial stone for the historic Magnolia Cemetery here in Charleston, SC. The carving was in Colorado Yule marble – a beautiful, white marble with subtle grey and brown veins and it carves wonderfully. If you ever have a chance, you must go visit a town in Colorado called “Marble” that is at the end of a very long, meandering and scenic road, and follows along a twisting mountain river. As you get closer to Marble, strange things begin to appear along the edges of the river – massive square blocks of white marble – just sitting there. On the other side of Marble, there is a huge marble quarry and cave in the side of the mountain. For a stone carver it is an absolute dream world. And for the non-stone carver, it’s equally fascinating. We discovered that the large stones along the side of the river had fallen off rafts years ago as they tried to get the stone moved to lower ground. They do things the easy way now – trucks.

It’s been several years since I carved stone and this project was a pleasant change of pace from my regular woodcarving. One thing I notice as I am carving stone – because of the slow, methodic pace of carving, I find it easier to discover shapes. Often with woodcarving, it is easy to become impatient and remove too much wood and thus lose the “flow” of the shape. The simple nature of stone carving – removing minute particles of stone with each chip – causes the shapes to develop and mature naturally, albeit more slowly. There is something almost hypnotic with gently chipping away with a rhythmic tapping. I’m not sure if I would want to carve stone daily, but it was an absolute pleasure to get dusty and chip, chip, chip – losing myself in this staccato rhythm.

Here is a Youtube video of carving part of the ribbon.

My client, a local Charlestonian, asked me last spring (2016) if I could carve a memorial stone for her late husband who passed away in November, 2015. At the time I was so busy with teaching and finishing writing my book on acanthus leaves that I told her I would be happy to help, but I probably wouldn’t be able to get started until the fall or winter of 2016. She and her family were planning a memorial at Christmas, 2016, and wanted to be able to present the stone at that time. In my optimistic (and somewhat delusional) look, I told her “Sure, that would not be a problem”.

As it happened, the book writing process turned out to be a much more intensive process than I thought and we didn’t actually order the stone until October. It was delivered to my workshop December 8. That gave me roughly 2 weeks to complete the entire carving which included lettering, a laurel wreath with a ribbon, and the cross. I apologized to my client and explained that this was not something that should be rushed, and I did not want to promise anything (but I sincerely hoped to get this completed in time for the family’s memorial). I told her I would do my best.

Then, out of the blue, I get a call from a friend of mine, John Paul Huguley, who works with graduates of the American College of the Building Arts, a local college specializing in teaching the traditional building crafts. John Paul often helps graduates of the school find work in their field of study. He asked me if I had any work for Sam, a recent graduate of the stone carving program. I have known John Paul for over 10 years, and he has never asked me if I had any stone carving work before. What amazing timing! So I took Sam on as my assistant, and I’m so glad I did.

The laurel wreath before shaping.

Beginning to shape the wreath.

For the next 2 weeks, we chiseled, chipped, sanded and routed to create shapes and letters in a beautiful, white marble. Even though Sam had never carved marble before, he was trained as an skilled stone mason. He understood how to create contours and shapes and the basic nature of stone and caught on quickly to the nuances of marble carving.

Sam chiseling away in the cold and rain.

My Canadian relatives made fun of me needing a “toque” in South Carolina.

Three of the days it rained and the temperatures were in the 40’s. For Charleston, that is COLD! Sam is from Wisconsin, so he was somewhat used to this. I also grew up in Wisconsin and Minnesota, but it has been way too long for my blood to remember or appreciate that kind of cold. We set up a tent so we could stay dry, but the chill in the air definitely confirmed I had become a real wimp.

On Wednesday, December 21, we put the final polishing on the carving (sanded through my gloves and I have no fingerprints left). December 22 McCarthy Monuments came to very gently pick the stone up from my workshop. On the morning of December 23 we gathered at Magnolia Cemetery to watch them install the stone (and also put our opinions in). They were so gracious to work with us on such a tight deadline, and it all worked out amazingly.

This was not only creating art that I love, but it was also a real honor to help a family celebrate the life of a loved one. I am so pleased we were able to complete this on time.

I now have 4 different instructional videos through Lie-Nielsen Toolworks.

Over the past few years I have spent several weeks in lovely Warren, Maine filming instructional videos. That part of the country is amazing and I am trying to set up our schedule so my husband and I can spend July and August (or more) in this area, and get out of the South Carolina heat.

You may or may not know, but much of my work is making instructional carving videos in my workshop and adding a video each week to my online carving school. The way I am set up, I have 3 different cameras set on tri-pods to get different angles of my work, and I carve and talk through the project – “thinking out loud”. Then my son, Caleb, edits the video, takes out any goofy comments I make, chooses the correct camera angle, adds the tool identification, and helps it all make sense. So – not a huge, intense production. But when a video is added every week, how much time can you really spend?

When Deneb from Lie-Nielsen contacted me several months before filming my first video, he asked me if I could send my “script”. What’s that? I wondered. I’ve never used a script in my life! I usually just ramble on and let the cameras run. Now I was starting to get nervous. So I said “Sure, I’ll send that to you in a few days.” I soon discovered how the “professionals” did it. A script – Hmmm, who would have thought?

The filming process for each video was intense. Four full days of professional videographers (Harry Kourvakorian & co.) making sure the lighting was right, adjusting the sound, waiting for large trucks to pass by, and filming stage by stage through my script. There were times when the simplest 15-second shot took 10 takes to get it right (they were so patient with me). Why did I get so nervous? I think it was because other people were in the room and I am used to being completely by myself with just my chisels, wood and cameras. I can’t imagine being one of these famous actors doing a 2-hour movie over a 6-month period. But then again if I was getting paid a few million dollars, who can say??

After several months of editing, reviewing, and editing again, the video was finally ready! And it’s amazing how those 4 chaotic, stressful days of filming came down to a well-organized, professional instructional video. I’m so glad I used my “script”!

Here is a direct link to Lie-Nielsen’s website.

Here are the direct links to purchase the DVDS:

Basic Woodcarving Techniques
Floral Relief Carving
Carving the Traditional Greenman
Carving the Pineapple

Here are the direct links to purchase the downloadable videos:

Basic Woodcarving Techniques
Floral Relief Carving
Carving the Traditional Greenman
Carving the Pineapple

Happy Carving!